Continuidad y discontinuidad. Algunas implicaciones filosóficas del tiempo a partir de la estética musical de Carl Dahlhaus

Authors

  • Yolanda Espiña Author Universidade Católica Portuguesa

Keywords:

Esthetics of music, Dahlhaus, time, event, Hegel, Neitzsche.

Abstract

Based on several key points in the concept of the esthetics of music as described in Carl Dahlhaus’s work, this paper questions some of the philosophical implications of thoughts on the dialectics inherent in the dual condition of music, in the context of a reflection on time.

Downloads

Download data is not yet available.

Author Biography

Yolanda Espiña, Universidade Católica Portuguesa

Doctora en Filosofía. Profesora de Estética y Teoría de las Artes. Escola das Artes / CITAR. Universidade Católica Portuguesa, Oporto, Portugal (yespina@porto.ucp.pt).

Downloads

Issue

Vol. 12 No. 2 (2009)

Section

Research Articles

License

1. Proposed Policy for Journals That Offer Open Access

 

Authors who publish with this journal agree to the following terms:

  1. This journal and its papers are published with the Creative Commons License Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0). You are free to share copy and redistribute the material in any medium or format if you: give appropriate credit, provide a link to the license, and indicate if changes were made; don’t use our material for commercial purposes; don’t remix, transform, or build upon the material.